We need to talk about Derek.

What’s your favourite version of Nessun Dorma? I bet it’s that Pavarotti one. It was the anthem to the Italia World Cup in 1990, Using it was a brilliant editorial decision (if you’re prepared to overlook the fact that it was used a few months before on a Pirelli advert) and it brought a stunning piece of music to a new audience.

Two years later, as a timid 19-year-old working at Radio Five, I found a new version of Nessun Dorma, a promo CD sent into the office. It was the same lavish orchestral score, but, instead of being sung by Pavarotti, it was being sung by Neil Sedaka.

He had written his own lyrics.

It’s a CD I treasure. It’s almost majestic in its arrogance. Here are the lyrics to the refrain (typed from memory):

To touch the face of friends and loved ones
To hear the laughter and to feel... the pain,
Oh what a miracle, this would be
If only we
Could turn the haaaaands of time...
Turning back... The hands of... Ti-ime...

It was so easy to imagine him typing through the tears as he brought these beautiful words to life, so in love was he with his creation.

But hey, let’s talk about Derek.

Formerly, of course 'Derek the Mong' from the 11 O'Clock Show. There’s little point in raking over the issue of is-this-offensive-to-people-with-learning-difficulties. You will doubtless have your own opinion (which I’d love to hear, by the way). In the first episode we are confronted with the issue of ‘What’s wrong with Derek?’ and, perhaps a little evasively, we are told that he’s really, one of a kind. He hasn’t heard of autism (and, incidentally, neither does he display any signs of autism) and, like his employer, it seems, we are simply supposed to shrug our shoulders and leave our curiosity at that.

And Derek is one of a kind. A curious combination of nervous tics, gurning, and conjugating his verbs like Dick Van Dyke in Mary Poppins ‘I draws what Oi loikes, an’ Oi loikes what Oi drew’. But his eyes are alert, playing to camera in a way I have seen somewhere before... David Brent, conceivably? Derek has a simplicity to him, a cheeky, playful mischievous side, and - you know what? A bloody heart of gold, mate. A big old heart, made of solid bloody gold. Bless him.

It’s set in an old folks’ home. The supporting cast is a curious collection. There is Dougie, a somewhat cantankerous caretaker who is mates with Derek, even though the two of them treat each other with seeming contempt. There is Kev, a man who doesn’t work there, but simply attempt to have sex with everything in sight, including the inmates. And there is Hannah, the boss, described by Derek as the nicest most kindest person ever. That she may be, but I find her staff screening policy pretty abysmal, letting a sex maniac infest her Care Home.

The character who, for me, had the most potential, appeared in episode two, a young woman called Vicky who had been given Community Service order, even though it’s now called Community Payback. She came in with an attitude. Holli Dempsey played the part brilliantly - in fact the cast is generally fantastically talented, and perform as well as they can within the confines of the script, and I look forward to Ruth Bratt’s appearance later in the series as Derek’s girlfriend. Within a week or so of arriving, the Care Home and the brilliant people there has worked its brilliant magic and Vicky thinks it’s brilliant and has gone from juvenile delinquent to wanting to volunteer at the Home next week because it’s so bloody brilliant there.

And here, for me, is where Neil Sedaka’s Nessun Dorma comes in. You get the sense that the writer (who, in the case of Derek, happens to be the director and star) is so deeply in love with what he’s writing that he’s lost any awareness of how it will appear to the audience. And the way it appears is pretty clunky.

My problem with Derek is that I felt a bit patronised as a viewer. I was never really allowed to make up my own mind about how I felt about anything or anyone in the show. I was told that Hannah is the nicest kindest lady. I was told that Derek is the nicest bloke in the world, and that I shouldn't have any further curiosity about his history thank you. Apparently, the Care Home is the most bloody brilliant place ever, even though I saw little evidence to support that. 

I was never allowed to form my own conclusion. In a very passive-aggressive way, the script pushed me into line, leaving no moments of ambiguity, no opportunity to make my own way through the material presented. I’ll compare it to The Office, simply because the format is so similar: no-one ever had to tell us David Brent was an arse - it was as clear as day. No-one had to tell us Tim was a nice guy. We could figure it out for ourselves through their actions.

Episode Two of Derek ended with a long tracking shot across some of the old lags in the Home, dozing, intercut with home movies from the fifties, presumably their faded dreams. It was a little too soon to be shown these intimate memories, since we’d hardly exchanged a word with them and we didn't know who they were. But it did go to show that old people, like Derek, are bloody brilliant, too. It’s all bloody brilliant, actually. It’s all so bloody brilliant. GOOD FOR DEREK.

If only we
Could turn back the haaands of time...

Here's Neil Sedaka.

Television Centre

That special twinge you feel when remembering the time you fell off your bike. That's the feeling. That's the feeling you feel when you remember the Dark Ages of television, when the BBC threw away priceless recordings because they weren't perceived as valuable at the time, with no thought of posterity. That faint wincing at a pain that is long passed, but still nasty to remember.

It was a ridiculous thing to do. We can talk about the gift of hindsight, but there was no justifying it. And it's good to know the BBC will never make that mistake again. I myself remember feeling a brief flush of immortality when I got my own series commissioned on BBC Radio 7, and I realised I had finally made it into the BBC Archive, the Great British cultural Ark of our age.

Times change. Things move on. And the BBC is moving to Salford.

I could launch off on a rant about its futility; I could ask what celebrities from overseas doing the publicity circuit will really bother to go all that way from London, where everything else is, but I understand the political necessity for the move, I guess. I am prepared to accept it.

But not the selling off of Television Centre.

What a futile gesture. And what a senseless waste of money. Why build new television studios when there are perfectly serviceable ones already in existence? But, more to the point, what cultural sacrilege.

Television Centre opened in 1960, and for over fifty years, it formed the great backdrop to a huge proportion of British culture. Television Centre is British television. I remember the first time I went there when I was about seven. My uncle was based there, doing clever backroom stuff (also a travesty, but let's not get into that now) and I remember my heart thumping with excitement at the sets in storage, the corridors, the breathless hush of transmission areas, the BLUE PETER GARDEN! I thought I would burst.

I didn't dream that twenty years later, I would work there full-time. And it took months to get rid of the adrenalin that flooded my chest every time I passed through Stage Door reception, where as a child I watched Noel Edmonds running about, or John Noakes, or, well, anyone on any show I cared about.

The point is, Television Centre, for generations of people now, has been the British Hollywood. It is the centre for Showbusiness. It is the hub. It is the place everyone feels they'll end up one day if they make it. I would like to see how many guided tours they manage to pack out at the new Salford centre. Or how many there would be of any other broadcasting premises anywhere. Granada Studios was a worthy contender for a while, and deserves respect. And should be rightly proud of its northern heritage. But in what other country does the biggest broadcaster operate from outside the cultural capital?

I am heartbroken. The BBC is carrying its cross up the hill, to the catcalls and jeers of its detractors. It's the same as the selling off of County Hall, or the shutting down of our libraries. It is a repellent all-for-show gesture that should give us all pause for thought about the surety of our cultural legacy for future generations.

National Poetry Day

It gives me great pleasure to say

It’s national poetry day

But Carole Ann Duffy

She always looks scruffy

It goes to show Rhyme doesn’t pay

Lost, the Finale, Part 2

Oh right, turns out they were all dead. Brilliant.

Oh, and Lucy was right, by the way.

Lost, the Finale, Part 1

So it is finally drawing to a close, at least it is in my house right now.

I am halfway through the penultimate episode.

My prediction stands, as it has for the last series and a half, that the show will end with slo-mo shots of all the cast walking out of the arrivals lounge as if nothing happened, with the stupid annoying major-seventh piano and string chords plonking pointlessly about.

So far everybody is trying to kill everybody, and we have been treated to a lovely montage of Sun and Gin alternately hugging and blowing up, as they have done for the last 32 shows or so.

By an AMAZING turn of luck, two characters paddling a canoe in the middle of an ocean, and on their way to blow up a plane have BY PURE CHANCE bumped into a pilot clinging to some wreckage. So now they can fly home. Or maybe they can't. Or maybe they will and then we'll have a flash forwards and they won't have really. And none of it matters because it will end with them all WALKING OUT OF THE ARRIVALS LOUNGE.

Maybe except Jack.

Watching this show has been like picking a scab once a week. It doesn't get better. It's just a little niggling irritant. But soon it will be over, and my GOD, Abrams, there'd better be a payoff, or I'll be forced to re-evaluate the roughly fours days of human life I have spent waiting patiently for almost any kind of payoff ever.

Desmond is talking all religiously about 'going where the light's brightest', as we race to an unspectacular finale to the ultimate 'In a dark, dark house, there's a dark dark whatever...'

And Jack and Sawyer are playing Wife Swap. I don't think they'll agree about after school activities. Or how often they should shave. Or whatever.

The ever-brilliant Lucy's theory is that it's an elaborate version of match.com, and they've just completed the most gruelling episode of Blind Date ever. Let's see how you two got on. Oh, you punched each other and shagged each other's girlfriends. A lorra lorra borrocks.

The show is rapidly turning into the end of a Big Brother episode, where everybody's being let out of the Big Brother Island-House one by one, and being shown a montage of their Best Bits.

Desmond has spent more time lodged in holes than Dale Winton.

I apologise.

Ok, the transformation is COMPLETE

Just over a year ago, I went on stage every day in Edinburgh for a month and labelled Mac users 'Pretentious Tossers'. Immediately afterwards, I went and bought a Macbook. And I love it. I love it with the zeal only the newly-converted born-again Christian could love it with.

And this week, my journey to the Dark Side is complete. Like The Fly, or the bloke in District 9, it is Over.

I have an iPhone.

And I love it. I do, I do, I do. I DO believe in fairies! I DO!

For fuck's sake. I know. And I loved my Nokia N95.

BUT IT DIDN'T HAVE A FUCKING FOUR-TRACK RECORDER ON IT.

Click on the title link to hear the end result of a joyful evening pissed up the wall. Hoorah!

ALL DONE ON MY PHONE. Fuck's sake.

If the link doesn't work, go to www.reverbnation.com/jakeyapp or click on the little widget thing down a bit and on the right a bit on this page. I've made it downloadable. So that other users of wankphones may use it as their ringtone.

xxx

Can I Offset that against tax?

So this weekend I popped my Festival Cherry (apart from Edinburgh) and went to the Offset Festival, surely the best alternative rock festival, in Hainault, in early September, in the world.

I was there to perform in the comedy tent. This is the comedy tent:

It wasn't as glamorous as it looks, though. Anyway, the lovely Bob Slayer was looking after things there, and I have to say, it was him at his finest. What he does best is wade through chaos. It's like fighting fire with fire.

Anyway. I had a little time to kill before I was due on, so I decided to drink in the heady atmosphere of my first ever FESTIVAL.

I have no point of comparison here. I can't say, 'Oh, it's like a smaller version of Glastonbury' because I have no idea. I can't say 'It's like Latitude without the platitudes' because I've never been. I think I would best describe it as being like a school fete. If the fete had been organised by the goths in the sixth form.

It was nice to see some families there - it's always rather cheering to see more than one generation having a good time. There were a couple of families picnicking in front of the main stage. It was nice to see their little 4-year-olds bopping away to the band. I'm hoping the lyrics didn't fully sink in though. The band was singing this:

I wanna fook you oop...

I wanna fook you about...

I can't think where little Levi and Poppy picked that up from...

So I sat and chewed self-consciously on my veggieburger, and looked down at my ridiculous silver shoes and my ridiculous bright blue shirt and my ridiculous jacket and my ridiculous ukulele (paranoid about leaving it anywhere at gigs since the last one was stolen at the World Music Awards) and felt, well, ridiculous.

I saw one group of young women staring at me with what I first thought was contempt, but then I realised was more a sort of pitying curiosity. One of them, Claire, or Clare, or possibly Cleadghfgh in Gaelic, came over and spoke to me, mainly about my ukulele. And her ukulele. And her friend Maeve's ukulele. And then I met her friends, Maeve and Ella, and I felt pathetically grateful to have someone to talk to, and to be taken under their collective wing. I also felt very lucky that they weren't part of the apparent fancy-dress competition that seemed to be going on, namely the see-who-can-make-themselves-look-like-they're-dying-of-heroin-addiction-the-most.

Anyway, I went and did the stand-up and they very charitably came and watched me go down in flames. Ok, that sounds more dramatic than it was. It went fine. Three people walked out after about two minutes though, and when I made the mistake of asking if it was because they were under age and my material had a strong sexual content, they shouted "No, it's because you're shit"...

I don't think anyone there was up for what one might term "jollity". My joke about the aperitif Kir attracted two rather comforting laughs from some middle-class allies.

Anyway. We staggered away, my newly-adopted support group and I. I went to buy some booze (had to drive miles to find anywhere, and all they sold was alcohol on special offer. You couldn't buy it normally. You had to buy it in threes, sixes or sevens...)

I returned and delivered it to the tent, and then rather tediously hummed and hawed over What to Do Next.

I didn't know if I would be required back on before 9pm, or after 11pm (there was a two-hour break). And so I waited for a text to come through, and when I hadn't had one by 9.30 I decided to get drunk. Always the best plan.

There then comes a happy haze of face painting, and chips, and BURGER SAUCE what the FUCK is that and can you INJECT IT, and, well, drinking, and it all being so jolly and fun you could almost forget you were in the middle of a scene that bore a striking similarity to Darfur:

Welcome to District 9.

My hosts very generously apportioned me a corner of their tent in which to hunker down for the night, and I went and fetched my duvet. Although most of the night was spent with my back pressed against the wet tent walls, listening to bongos, retching, and some of the following choice snippets of dialogue:

"...Well, I just figured since I'd paid for petrol, you'd pay the camping fees..."

HIM: Have you got like a best mate?

HER: Well, I've got loads of friends...

HIM: Yeah, but you must have like one best friend, is it?

HER: Yeah, I have. But she's a prick...

"He's blatantly chucked up all over his sleeping bag..."

I now understand why people take drugs. I would have taken anything. I nearly woke up one of my new friends and begged them to punch me unconscious for the rest of the night.

At 7.25am peace finally reigned. The bongos stopped. The generators for the floodlights switched off.

That's when Ella started blowing her nose.

Cleadghghgf left. She kindly returned the ear plugs I had given her, which was very thoughtful, but I am sort of thinking they are hers now.

When Maeve woke up, we had forgotten about the moustache Ella had drawn on her last night, and I nearly screamed.

We decided to go and get breakfast off-site, because, really, anything to get away from the scenes of human detritus that lay all around us. As me, Maeve and Ella left for the car, some blokes from a nearby tent spotted my uke and hailed us:

"No WAY! WE'VE got a uke as well!" I know, mate. What are the chances, eh? Two pretentious tossers in one festival. Whoda thunkit. I don't want to own a ukulele any more. I love that little instrument. But I don't want to be part of this Venn Diagram overlap any more.

"You should have come over to our tent last night - we had bongos and my uke - we could have JAMMED!"

I could have "jammed" my ukulele sideways up his mincing little anus for every one of the six fucking hours I had just spent listening to his stupid fucking bongos. I said:

"Yeah. That would have been sensational."

And so we got to the car. As we approached, I said to Maeve and Ella "I'm sorry my car's full of crap", suddenly remembering it was full of stuff from Edinburgh I hadn't got around to emptying. But things were looking up, we were about to bust out of there, the wind in our hair, not a care in the world.

But we now get to the crux of the experience for me. There is something I would like to know. I would really like an answer to this question. This is the question that will haunt me above all else from this weekend, more than questions like 'Why did I think any of this would be a good idea?', or 'What the fuck do I think I am doing?' or 'is it really really too late to train as a dentist?' No. This is, as far as I am concerned the question of the weekend:

Who shat in my car?

That's really the one. The other ones I can sort of work through by myself, or with plenty of counselling. But, 'who shat in my car?' is the one I don't think is ever going to get resolved satisfactorily.

As we got in, Ella was lucky enough to put her foot into something a bit slidey on the passenger side floor. And it was a human turd.

Oh, capital. What a perfect finish.

Nothing stolen - laptop in the boot - all fine. Car locked. No signs of disturbance. But there, unmistakably, as we looked on and dry heaved - was a Snickers bar-sized human shit.

I have gone through every scenario I can think of. I wondered if it was the parking attendant there, who had leant through the passenger-side window, and told me she hadn't had a break in hours - well, she'd have had to dump it somewhere. I have quizzed my parents, wondering if one of them had done it for fun on the drive back from Edinburgh last week ("I promise I won't be angry, I'd just like to know").

The problem is, I could see Maeve and Ella running every scenario in their heads, too, and jumping to the most plausible explanation; namely that the shitten finger of suspicion pointed squarely at me.

Which, you know, who can blame them? Unless some sort of weird Fight Club type scenario is happening in my head (and really, by now, I am prepared to accept that - it isn't impossible that the last month has caused me to split into multiple personalities, of which one is a mad car-shitting maniac) I don't recall ever pooing into my own car footwell.

I don't want to go into it too much, but there are some very Bermuda Triangle-esque elements to it. It was unquestionably laid there fresh, c'est a dire done in place. But no signs of any peripheral processes, oh look, this is all disgusting now, and I am going to stop.

We found a pub and I washed my hands five times. Only cremation can clean me enough now. I do not want to exist as matter any more.

I didn't stay to do my spot today. Sorry Bob. Please understand. Once someone has taken a shit in your car, it's hard to rally.

Really might not do another festival.

Road Trip - Part Two

20.33

Mile 414

Home.

Fuck Ye Off, Mate.

Road Trip - Part 1

08.12

Mile 0

The boot is full. Our souls are empty. Still we pack. Will there be room for the three of us?

09.31

Mile 0

We are OFF, out of this shitten town, on a brisk, clear February morning.

09.42

Mile 3

I can feel we are approaching city limits. I can see the mountains on the horizon.

09.46

Mile 5

Lothianburn Junction. A ‘Welcome to Midlothian’ sign – we have busted out of Edinburgh!

10.01

Mile 12

Passed Penicuik. Out in the hills on the A702. It’s so beautiful. Suddenly, all the elements come together, and you can see nature working the way it should. Instead of a huge, monolithic city trying to be New York on top of a marsh.

10.04

Mile 15

Carlops. Presumably it’s an upgrade from Cyclops. “Troglodytes” mutters mum.

11.59

Mile 72

Annandale Water Services.

Stopped off to watch the poor boy at Costa Coffee who is presumably in his first week of employment. The safety pin through his ear offset his bad shaving wonderfully.

12.14

Mile 93

ENGERLAND!

It Must Be Something I Said

Well, it's over. Over, over, over.

My free show has finally garnered some reviews, getting a whopping 2 and 1 stars.

And I have learned a lot. I absolutely, unquestionably, overstretched myself this summer. Two shows is a ridiculous amount of material. Along with the breakfast show. And I guess that is the price one must pay.

I cannot wait to get out of here. I would feel a little humiliated, but the bulk of the feedback I got from most audiences was really positive. The last two evening gigs were a delight, an absolute delight. I wish, well, what does it matter what I wish? It came, it went, it's done.

And better to have received such a cool critical response this year than last year, which would have scared me off from ever going on a stage again, ever, ever, ever.

Behind every comedian who sets themself up as being the funniest person in the room for 50 minutes, there are probably two things at work - a combination of rampant, tyrannical ego, but also, I hope, a heartfelt desire to give people a good time.

And should anyone ever read this who came to one of my shows and did not have a good time, then I really do sincerely apologise. I do not take the 'fuck you' attitude; if I failed to diagnose what you would enjoy, and then supply it, that was my fault. One cannot please all the people, etc etc, particularly the random element that must come in any mixed audience of people who don't know the comedian they are seeing. For instance, how could I ever hope to please people like the couple my dad tried to flyer last week by saying "Do you like to laugh?" to which they replied "Oh, no, no?"

I don't know what to do. I need to find my audience. And I don't know how.

If an unknown Jimmy Carr, or Jack Dee, or whoever had to play to a bar full of people who have walked in to see a show because it's free, and because it's raining, and it's four o'clock in the afternoon, and there is building work going on in the bar, the chances are they would not be able to please everyone. But that's ok, now, because people know who Jimmy Carr and Jack Dee are, and they can choose to go and see them, or not.

There are too many variables at this level - me, and the audience.

I thought this trip would garner some critical acclaim, and hardly any audience. What I got was the exact opposite. I played to over 1400 people, plus guest spot appearances. I have been, not trounced by the critics, but given a bit of a pulling-up, and not unfairly - I have no real counter to their arguments.

So what do I do, what do I do? And how do I do it?

I poured so much work into this venture, not to mention the money... And I do not think it has particularly got me anywhere. I am still proud of Hallo, Music Lovers. I still think it was a good show. And better than last year's show. Which is progress. And there were many, many nights where you could see one or two members in the audience properly losing it - doing that centre-of-gravity-tipping-point laugh where they can't stop any more. And I can't believe a serious critic could have sat through an average show there and not been forced to acknowledge the proper, belly-laughs it generated.

Maybe now, with a screaming hangover, and on the brink of total exhaustion, is not the time to try to figure it out.

I was very touched last night, by some lovely blokes who sat in the front row and laughed most obligingly throughout the show. Afterwards, one of them said, perhaps reading my thoughts before I did: "Don't give up the stand-up, mate - it's really good".

I don't know. I don't know what the point is, or the goal is, or anything... I feel like I have let people down. And I think I hate that feeling more than almost any other.

Tired.

Thank you for reading.

Live text on the drive home tomorrow! Thrillin, my dear. Thrillin.

To London. To my cats. To respite. To a real bed. To home, home, home...

Peace... No, really. Peace.

Jake

Twenty-Second Night

Corblimey, eh? 22? Blige.

Today was busy, busy, busy. Managed a 7-8 mile run this morning, which, since it was through some pretty dodgy areas, I reckon counts for double mileage when you factor in the adrenalin.

Did a guest spot at a venue called The Grape, with Katerina Vrana.

Bloody hell. Tough venue! Adjoining a noisy restaurant, in what looks like an old bank, with reverby high ceilings. Argh, argh, argh... I don't think I could do a month in a venue like that. Anyway. I read them a little erotic fiction and they seemed happy enough.

Numbers are still low in the audiences, but only comparitively. 20 in tonight - but compare it to the poor darlings at the Pink Bus who cancelled their 9.30 show this evening.

I totally do not buy the whole "audience numbers are up on last year" story. You have only to spend half an hour flyering (or six, in mum and dad's case) to see there are fewer punters about.

I think there are the same number of 'hardcore' festivalgoers, who buy the premium tickets and see the prestige shows. But there are far fewer of the 'chancer' festivalgoers who'll have a flutter with the odd fiver on an unproven performer's show.

Recruited two little flyerers today - Jen and Fiona. Bless 'em. They are splendidly enthusiastic. Ah, youth...

NO 6MUSIC SHOW TOMORROW YESSSSSSSSS

And we have had pizza and ice cream. I didn't run through the fucking ghetto for nothing, you know.

x

Twenty-First Night - So Right for a Fight.

Blimey.

Interesting sort of day. Blimmin lovely in the afternoon. Tried a new piece of erotic literature. It was deeply sexy. I can't remember what it was now. Oh, it was about a film director.

I made the mistake of singling out a young lady who wasn't singing during the shanty, who happened to be a friend of a nice man I used to work with. So now I feel like a right old tosser.

Sorreeeee!

Then the evening show was fantastic - a small crowd, but a really lovely one. Special thanks to Natasha and, shit, Rob? who heard Dora Dale on Radio 7, and were very encouraging.

And THEN - well. My first compering gig. Sowerby and Luff's Allstars, minus Sowerby, minus Luff, and plus Jake, and plus a nutter who wouldn't stop using his mobile phone through the whole show.

We got through it. The fabulous Katerina Vrana read some of my most lamentable erotic fiction (she elevated it for me, if you know what I mean, but, you know...) and she was wonderful. As were the other acts, Nick Helm, James Shakeshaft, and the Dog-Eared Collective.

And then after the show, Richard, the God of Trespassed-Against Comedians, burst out from behind the curtain, and yelled at the mobile phone guy, and then the landlord yelled at Richard, and I said "thank you for coming!" to the audience, and I don't think there will be any more of those shows.

And in all honesty, why should there? Not to cast nasturtiums, but, you know... If you tack your name to a show, I don't think it's really ok to sort of leave other people to get on with it.

Sorry if that sounds a little bitchy, but, you know. It's been a night for scrapping. I myself am going to go out and tell a local he looks like a pussy.

HEY MAN, LOVE, YEAH?

LOVE.

Shit. Ow.

Jake

xxxxxxxxx

Ok, Alright, Dammit, BEFORE I Go to Bed... - Jake Yapp Review

About that review. Not, I hope, that you have read it. It was in threeweeks, it was three stars, and it was pretty non-committal.

Anyway. SHOULD you decide to read it, do take it in the context of its author. I quote from his blog profile:

Tommy 'Tp' Peel

• Age: 20
• Gender: Male
• Astrological Sign: Aquarius
• Zodiac Year: Snake
• Location: Bradford/Hull : Yorkshire : United Kingdom

About Me

Hello Dear Reader, I am a Drama and English student at Hull who enjoys all types of Media activities but like a large number of people, am continually pissed off by it. I also struggle to spell. I hope to be a decadent but am far too worried I might kill myself

Everyone is, of course, entitled to an opinion. Just bear in mind that the opinion you'll be reading is his opinion. The opinion of a man who doesn't even put a full-stop at the end of his sentences

(sic)

http://tommypeel.blogspot.com/2009/08/review-jake-yapp-presents-hallo-music.html

Twentieth Night - Except it Wasn't

We cancelled this evening's show. With no pre-booked tickets, and Team Yapp/Lescott pretty knackered, we decided to cut our losses and save ourselves for the Last Big Push.

Fantastically lovely afternoon show though! Such nice people, including some who had been to the pay show.

This whole run has been so unpredictable. More people in the pay show than the free show. Crazy.

Anyway. I shall STFU now to remain springy and fresh for tomorrow. Uncle Shaun will require me in seven hours. Seven hours in bed! Feels like a complete luxury.

Night!

x

Nineteenth Night

EEEEEEEEEEEOOOOWWWWWWWBCHHHHHHHHHHHHHH

That is the sound of the Edinburgh bubble bursting for many people this evening.

Where is everybody?

Shows cancelled, tiny audiences... Lordy. I had a small but select bunch in this evening. I think they enjoyed it. Sometimes you just can't tell. I do hope they did.

Did the Pink Bus this evening, and then a late one at the Electric Cabaret at C Central. It was a nice night, and the audience was nice, but it absolutely cemented my feelings about venues with a completely dead acoustic. It is REALLY unfriendly to a comedian. We had a totally acoustically dry room, and the white noise of an air conditioner to contend with. I know it sounds pretentious to talk about such things, but, god, it really makes a difference.

I have to say, I felt in a daze on stage for the last gig. It is too much to be doing comedy from 6am-1am. I have totally overstretched. But, you know. I am proud of having survived, and I am proud of most of the shows. And I have met some great people.

Found myself giving Richard Bacon stand-up tips this evening. Ha! Who do I think I am? He's going to be doing stand-up live on Five Live on Thursday night at 11pm. I think it will be worth hearing. Sadly, I'll be compering at the White Horse then. Sowerby and Luff's All Stars, minus Sowerby and Luff, and Plus Jake Yapp. My first compering! Lawks.

I left my jacket somewhere. Bugger. I love that jacket.

Jake

x

Eighteenf Night

Arrrrt mate wicked is it.

Tonight was smashing. 59 people in. Including, I am humbled to say, Danny Wallace and his enchanting wife Greta. And now I am drunk and must get up in shit fuck shit fuck 5hrs14mins.

Anyway. It was great. My friend Marn went home today, which was a great shame because I drew a lot of strength from him over the last few days. Not to mention what ace company he is, obviously. There are not many people with whom you can have a conversation about spirituality and consciousness over a tray of chips with cheese in the drizzle in Hunter Square.

Anyway. It would be reckless to continue to type. So, you know. Goodnight.

Jake

x

PS I met David Mitchell this evening, but refrained from telling him everyone says I sound like him. Wouldn't want him to think I was WEIRD OR ANYTHING COME ON PHWOARRR LET'S SEE ALL THAT LOVELY ORANGE SQUASH.

Ok shhh goodnight.

No, really. Come on. Goodnight.

SHUT UP

Seventeenth Night

Another super time. Chiefly, I think, thanks to valiant flyering by my poor exhausted parents.

Afterwards, went and did my little guest spot on the Pink Bus. I was followed by Simon Munnery, who has always been a bit of a hero of mine (remember Alan Parker, Urban Warrior?).

So we snuck upstairs and watched. He's fantastic. He does a routine about Richard Dawkins which is a consummate blend of surreality and very smart jokery. I shan't spoil it. Go and see it. He's doing his own show ("Five stars in the Scotsman. But, to be honest, that's only on a very good day. Realistically, you'd do better to expect somewhere between three and four.")

But if you're on a budget, he's taken on a PBH Free Fringe show. Every night this week he's doing an impromptu little show called "Fungers at Fingers". He has a stellar line up of guests, including John Hegley on Wednesday. So there. 9pm, Fingers Piano Bar, 61 Frederick St, EH1 1LM.

He seems like a very nice man, too. I bet he's an ace dad.

What a Ridiculous Existence

This is a mad way to live.

For the last half an hour, all I have done is debate with myself whether to have a shower now, or after the afternoon show. Or to go for a run after the afternoon show and then shower. Or to run now, shower, and then do the afternoon show. Because then, I've blown my shower for the day, and I can't really shower again, which I'd like to do before the evening show. But I do sort of need to shower for the afternoon show. Should I shower now, or shower after the afternoon show?

Mother is counting leaflets. She is up to 283.

Father is emptying rice out from boil-in-the-bag rice bags so he can cook it.

Deliver us.

x

Sixteenth Night

Swings and roundabouts, mate. Swings and roundabouts.

It was a belter of a show. Such a lovely crowd. It does reinforce this dumb idea of perceived value. The audience this evening comprised almost exclusively people who had paid for their ticket. Which means they've invested in the show. Which means they a) want it to be a success and b) must believe that it will succeed...

So it was great.

Excitingly, the sound check went well, and then the first song began, and the CD started skipping all over the shop. I immediately reached for my ukulele, and began to wonder what sort of an acoustic set I could muster from scratch... It a twisted way, I was sort of looking forward to the challenge...

But then we tried again, and it was ok. Which probably was better, since the CD tracks form about 80 per cent of the show...

Crikey, eh?

Got a bit drunk last night. Ow.

x

Fifteenth Night

It's all a question of balance.

Inasmuch as, I actively welcome a bit of friendly heckling. It makes the show fresh and exciting. It truly makes a show.

But it rapidly becomes boring. So do please feel at liberty to contribute to the show. But if you have already tried it half a dozen times and failed to take the roof off with your witty badinage, may I politely request that you then shut the fuck up? And, particularly, please don't stomp all over the punchlines.

Both shows today were really heavy going. People just chatted through the afternoon show, and the evening show was just crappy, with some hilarious wags just shouting whatever sprang to mind pretty much the whole way through.

Yuckola. What does one do? I am 35, it is pretty much too late to train as a dentist now. I am going to have to plough on with this shit, god dammit.

So, you know. Fuck it. Bring it on. That which does not kill me leaves me feeling depressed and insecure. But I shan't stop. Damn you, pissed-up heckling twats.

On we go!

Jake

xxx